Intakt CD 323 / 2019



Brevario, El Intruso, Nov 18 2018


Christof Thurnherr, Jazz'n'More, Jan 2019


Jazzhalo Blog, Jan 2019


Nate Chinen,, Jan 14 2018


Matthew Kassel, Downbeat magazine, March 2019


Brian Zimmerman,, Jan 17 2019, Jan 18 2019


Aldo Del Noce, Jazz Convention, Jan 22 2019


Bandcamp Daily, "The Best Jazz on Bandcamp", Jan 2019


Kevin Coultas, In on the Corner Blog, February 10 2019


Martin Schuster, Concerto Magazine, Feb/Mar 2019, February 6, 2019


Rigobert Dittmann, Bad Alchemy, Feb 2019


Peter Rüedi, Weltwoche #8, 2019, Mar 2019


Iwein Van Malderen,, March 2019


Stefan Pieper, Jazzthetik, Mar/Apr 2019


Frank Bergerot, Jazz Magazine, Mar 2019


Kimio Oikawa,, Mar 2019


Jazzaround Mag, Mar 12 2019


Ueli Bernays, NZZ, Mar 18 2019

Don Phipps, All About Jazz, Mar 21 2019


Xavier Plus,, Mar 15 2019


Hans-Jürgen Schaal, #128, April 2019


Hiroki Sugita , Japan Jazz, April 2019


Dr. Frank Lechtenberg, Hifi-Stars Magazine, Mar-Jun 2019


Philip Roth, Frankfurter Allgemeine, April 2019


Viktor,, April 7 2019


Jean Buzelin, L'Europe ensuite, Culturejazz, France, 12 avril 2019


Thomas Trummer, Osterländer Volkszeitung,18. April, 2019


freiStil Magazine, Mai 2019


Yves Dorison,, January 2019


Klaus Härtel, Clarino, Juli-August 2019


Carlos Snaider, Earshot Jazz Magazine, Aug 2019


Franpi Barriaux, Citizen Jazz, 20 Oct 2019


What is chamber jazz?

                The emergence of chamber jazz as a genre can be traced to the innovative sextet sides recorded in the mid-1930s by bandleader John Kirby, and to the trio and small-ensemble post-war recordings of Benny Goodman. By the late 1940s, the term 'chamber jazz' was widely used in industry publications such as Billboard magazine, academic journals, and newspaper and magazine reviews of performances by small groups. A distinction was drawn between chamber jazz and big-band swing; these small ensembles played to listening, rather than dancing audiences, and bore a resemblance to classical chamber music groups. The term originated, and was understood, within the musical discourse of the time.

Mark Werlin, All About Jazz, Aug 04 2022 (EN)



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