FRED FRITH - CHRIS BROWN
CUTTER HEADS

 

Fred Frith Elektric & acustic Guitars
Chris Brown Piano und Electronics


All music by Chris Brown and Fred Frith
Recorded in January 2002 and August 2004,
in Mills College Concert Hall, Oakland.
Mixed and edited at See a Dog, Hear a Dog Studio,
Berkeley in May 2006, Engineer: Philip Perkins
Mastered at Headless Buddha, Oakland, October 2006
Engineer: Myles Boisen.
Cover photo: Heike Liss
Graphic design: Jonas Schoder

Intakt CD 124 / 2007

 

MAILORDER-PRICE:
Schweiz: 30 SFr. plus 3 SFr. Porto
Deutschland/Österreich: 18 Euro plus 2.50 Euro Porto/Versand
International: VISA / MASTER: 30 SFr. plus 4 SFr. Postage
Order adress: Intakt Records, Postfach 468, 8024 Zürich, Fax: 0041-1-383 82 33


Please click here to order


 

A good head-cutter knows it’s not what you play, but how you play it.”

Chris Brown, composer, pianist, and electronic musician, creates music for acoustic instruments with interactive electronics, for computer networks, and for improvising ensembles. Collaboration and improvisation are consistent themes in his work, which is also founded on a practice of inventing and building electronic instruments. He teaches electronic music at Mills College, in Oakland, California, where he is Co-Director of the Center for Contemporary Music (CCM).
Fred Frith, composer, multi-instrumentalist, and fellow-explorer, creates music for and with acoustic and electric instruments, using the recording process as his primary compositional medium and working with film and video-makers, choreographers, painters, and sculptors, as well as musicians. Collaboration and improvisation are insistent themes in his work, which is also founded on a practice of re-invention and de-construction. He teaches composition and improvisation at Mills College, in Oakland, California, where he is continually inspired by his activities as football coach and avid bird-watcher.


Cutter Heads _ survival of the fittest _ double-strung duets, double-dutch divas, double-tongued dictionaries _high tension sound-boxes magnified by machines in byte-sized chunks _ transformations tossed into the sound-stream _ ripple, repeat, explode _ groove-cutters controlled by home-made programs _ doubling fingers, feet, teeth, nails _ cut and paced _ going to punch me _one head has to go…

 

(dt)

Fred Frith führt auf dieser zweiten CD auf Intakt Records – nach der wunderschönen Aufnahme mit Carla Kihlstedt und Stevie Wishart – seine Exkursionen in die Welt der Improvisation und in die Sphäre der Sounds und Klangexperimente weiter.
Wiederum ein Fest der Saiteninstrumente, diesmal mit Gitarre und Piano. Chris Brown lehrt wie Fred Frith am Mills College in Kalifornien, wo er als Co-Direktor das “Center for Contemporary Music (CCM)” leitet.
Cutter Head ist ein blues-getränkter freier Dialog zweier Klangforscher und passionierter Spieler oder, wie es im Booklet heisst:

Cutter Heads _ survival of the fittest _ double-strung duets, double-dutch divas, double-tongued dictionaries _ high tension sound-boxes magnified by machines in byte-sized chunks _ transformations tossed into the sound-stream _ ripple, repeat, explode _ groove-cutters controlled by home-made programs _ doubling fingers, feet, teeth, nails _ cut and paced _ going to punch me _ one head has to go ...

 

 

 

Fred Frith on Intakt Records

 

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